Season Two Ep 7 review
Episode 7 is out, but it was a packed day for me yesterday, hence sorry for the delay in my review. Ep 7 covers Vol 7 Ch 6, Vol 7 Intermezzo 2, and the early part of Vol 7 Ch 7 (which I am still transcribing). Despite some highlights, this episode unfortunately also brings me some confusion, to say the least about the pacing and length of this Season Two. I will talk about it later, but as a preamble, the pacing of S2 is inconsistent. S2 moved at lightning speed for Eps 1-3, and then it halted and took a stroll for Eps 4-7. At this rate, I will have to assume that we will get Cour 2, but since we have no announcements at all about it, I am left feeling like there are so many things hidden here, like the Hidden World itself…
More on that later. For now, I am going to give my review chronologically, but just be forewarned, I am not feeling very happy with this episode, hence quite a bit of ranting.
First: the Ginji and Aoi scene was well done. It picked up from Ginji’s resolution in Ep 6, so it was well done. Kudos for this scene. Then we moved to the Nighthawk scene, where Aoi et al were selling soup. We have our darling Tengu Hatori visiting, and I like it that he was complaining about Ranmaru not being a good sales person. Well, duh, with Ranmaru’s attitude, despite him being super polite in front of the guests, he just doesn’t give the same lively vibe as Hatori. I wouldn’t be persuaded to spend my hard earned money in Orio-ya even if the hunk Ranmaru begged me to. However, Hatori has a different vibe. The sun shines when he’s gracing us with his presence.
Then after a dash dinner, Hatori talked about Zakuro. Unlike in Vol 7 Ch 6, Zakuro was not referred to as the fourth founding member. I guess it makes sense because she joined Tenjin-ya after she and Ōdanna-sama graduated from Bunmon University, and by that time, the inn called Tenjin-ya was already built. I was expecting Aoi to be shown as getting jealous, but she was not jealous, IMO. I watched it for a second time, and the feeling she had was closer to insecurities than jealousy. But anyway, she didn't look excited when she heard that Hatori dubbed Zakuro as Ōdanna-sama’s fiancée, so I guess that’s close enough.
Then we have Aoi coming back to the Nui-no-in Mansion, only to hear the news that Takechiyo has been whisked back to the Palace by the order of the King. Here we also hear an interesting name: Akaguma Shogun. The Red Bear Shogun. Ritsuko-san mentioned his name in Vol 7 Ch 6, but when I translated it, I didn’t make the connection with the Copper Bear in the “Shirō’s Adventure” book because… I didn’t translate that part where Takechiyo lend that book to Aoi (sorry!). So anyway, yeah, Akaguma Shogun is one of the three big guns that Shirō befriended in Kakuriyo.
Then we had a nice flashback of Byakuya’s life with Suzume. I do love how serene Byakuya’s face here… I am pleased that the flashback was quite substantial in Ep 7. As I said (and some of us have observed too), the pacing goes back to the pacing they should’ve taken in Ep 1, i.e., an easy strolling pace, with some small jogs if necessary. Also, Suzume’s Muromachi kimono is quite historically correct (you can also read this article).
The discussion between Ritsuko-san, Nui-no-in-sama, Aoi and Sasuke-kun also went according to Vol 7 Ch 6, down to Sasuke preventing Aoi from suggesting that she would infiltrate the Palace to Uber-food the macaroon to Takechiyo. Raijū was also portrayed as a menacing evil (which he is!) looming over Yōto, and this is the most menacing visual of Raijū so far.
However, when Sasuke explained why infiltrating the Palace is a bad idea to Aoi, unlike in the novel, it wasn’t Aoi who suggested that if they take a secret passage, they should still be able to sneak into the Palace. Rather, it was Byakuya himself who suggested the idea. This is the reason why it didn’t really click/match when Byakuya said that he would normally admonish Aoi for her reckless idea, because it was the Chief Accountant himself who suggested to take a secret passage. It also became less of a hit when he said tongue-in-cheek that, if anything happens, they can just blame it on Aoi because… although Aoi was the one who suggested the food delivery to the Palace, it was Byakuya who recommended the secret passage in the anime.
Anyway, it was just a small observation. Also, I have to say, I LOVE Byakuya's hand fan. Another reader also commented via email how she wants to have a fan like Byakuya's so that she can use it whenever she deals with difficult people. I totally agree. I want that fan too! I mean... "unfiltered opinions"? "Baka"?! "Prosperous business"? Love it!
Now, the next one is a big observation though from my viewpoint.
I was surprised to learn that the Manchurian ladies were actually the Palace ladies-in-waiting, so I checked Vol 7 Ch 7. Get this: In Vol 7 Ch 7, the ladies-in-waiting were NOT depicted as wearing the Qing Dynasty Manchurian qizhuang dresses!
Look, it's entirely possible that there is an explanation to this one in the latter part of Vol 7 (or even the latter volume), e.g., that these ladies were indeed from Manchuria and they're just doing an internship there... (I'm totally making it up). However, as for now, I am not happy with this artistic licence. I mean, wouldn’t it be more sensible to depict the ladies-in-waiting in Heian junihitoe?? I was so looking forward for some gorgeous Heian-style robes a la the Pillow Book or Genji Monogatari, but no…
For reference, in the Pillow Book, as a lady-in-waiting, Sei Shonagon definitely wore layers of robes when serving her dear Empress Teishi. Maybe not as full ensemble when she was bringing meals for Teishi, but certainly with layers of robes that look like the one below:
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| This image depicts another Heian lady (Lady Sarashina, in purple) and her lady-in-waiting (source) |
I understand that many of you may disagree…Again, I am not trying to be racist or political here. I also watched Bu Bu Jing Xin and My Fair Princess 10-20 years ago. I totally love Nicky Wu's portrayal as the Fourth Prince in BBJX. However, it just doesn’t make sense when the King himself is dressed in the Heian-era clothing etc that the ladies-in-waiting wore the culturally-different qizhuang. I understand that some of the producers are bearing Chinese names, but can we keep Kakuriyo with Japanese flavour please? Even the Palace building doesn’t evoke a lot of Japanese feelings there. The Nui-no-in Mansion is more Japanese than the Palace itself. Can we just stick to originality please?
(I do now understand the feelings of viewers with Chinese/Taiwanese/Hong Kong heritage who are not happy with the fashion and demeanour depictions in Apothecary Diaries. One of the accuracy issues with Apothecary Diaries is because its fashion is sometimes perceived incongruent with the Tang fashion – similar to my complains when Aoi’s kimono emon isn’t drawn correctly – though since I’m not even familiar with the Tang fashion other than what’s available on the internet, I cannot comment further on that)
I also understand that copying the Heian/Kamakura/Edo Period of the Japanese castles for the Kakuriyo Palace can be difficult. The Kakuriyo Palace is several storeys-high, hence going from one floor to another would require footwear. However, it doesn’t mean that we have to ditch the Japanese feelings that we (or at least many of us) feel in Season One and the novel. For me, the garden where Aoi, Byakuya and Sasuke appeared for the first time in the Palace is more akin to a Chinese garden than a Japanese garden. Somehow, I was expecting more of the Japanese garden we saw at the Nui-no-in Mansion…
Okay, end of rant for that one.
To balance my ranting, I want to say that I do appreciate Byakuya's additional flashback with the young Ōdanna-sama. It's a nice addition, though the sakura petal shower shots in Ep 6 are still two of the best scenes in Season Two IMO.
Now, the next observation is due to my confusion, linked to my first observation. Since Ep 6 (and maybe Ep 5), episode pace has been slowing down to a stroll. My earlier prediction of the way S2 episodes were going to pan out was totally wrong, because since Ep 4, it had been slowing to a normal speed which I originally hoped for S2. If this speed is maintained, there is no way that Vol 10 can be finished by Ep 12. However (and I feel like a broken record by now), there is NO announcement of the 2nd cour, and the DVD/Blu-Ray that is released in late Jan 2026 only has 12 episodes. Even with an additional episode (thus 13 episodes), it’s hard to wrap the series until Vol 10 by Ep 13.
There are some questions here:
First, if they are doing two cours anyway, why skipped the first half of Vol 6 altogether? The autumn orchard date between Ōdanna-sama and Aoi would definitely sell. Heck, my S2 reviews attracted most readers when it was Ep 1-3 (in the 900-1,000 views), and then it dropped to just around 200 views. It’s possible that new readers prefer to read the novel translations, because some chapters that I translated here have been garnering more readership these days. It’s also possible that, since Episodes 4-6 have no or very limited scenes of Ōdanna-sama, they don’t attract repeat views the way Ep 1-3 did. Of course, there’s a possibility that the bad animations in some scenes in Ep 1-3 also totally turned off some fans.
Or... my review skills are really heta kuso, hence the readers are not reading them...
Anyway.
Second, if they are doing two cours, when is the second cour? S1 had two cours and it ran from 3 April to 25 September 2018 (5-6 months). It basically meant that Cour 1 was immediately followed by Cour 2 (I checked the Crunchyroll dates to confirm this fact). If Season Two is two cours and it runs back-to-back, it means that S2 ends in late Feb 2026. Why would they release the DVD in late January with just 12 episodes then?
Third, if they are sticking with one cour and just waiting for the reception, it means that the season ends with Vol 8. It makes sense if this season or Cour 1 ends with Vol 8 because the only scene that is related to the latter part of the novel comes from Vol 8 (with Kiyo, Kasuga and 2-3 Northern Land folks). So… is there hope then that they will regroup and reconsider fan feedback e.g., the quality of animation etc?
However, what if Cour 2 is left hanging and we don’t even have Vol 9-10 later? In the previous Ep 7 stills post, we have an Italian Anonymous reader (mille grazie!) informing me about this article in Kakuriyo Anime about the premier of Kakuriyo S2 with the three main seiyū (Tōyama Nao for Aoi, Konishi Katsuyuki for Ōdanna-sama, and Toki Shunichi for Ginji).
In there, the three voice actors were asked about what they wanted for the Kakuriyo series in the future. I’m posting the section in Japanese here so that you can Google Translate it yourself to your own languages:
「これからの一皿・夢語り」では、「これから先さらに7年の時があるとしたら、その間に『かくりよの宿飯』でひとつだけ実現できることがあるとしたら?」という、未来への夢が溢れるテーマでトーク。
まず口火を切った小西さんが「やらせてくれるなら(原作の)最後までやりたい」と答えると、会場からは大きな拍手が湧き起こりました。東山さんからは「7年と言わずに続編をやってほしい」、土岐さんは「7年の間に完結してほしい」と語るなど、キャスト全員の作品への思いが1つになりました。
The translation is as follows:
In "Talking about Dreams: the Dish for the Future," the talk focused on a theme filled with dreams for the future. The question was: "If we have seven more years from now, what is one thing that you'd like 'Kakuriyo no Yadomeshi' to achieve during that time?"
Konishi-san, who opened the conversation first, said, "If they let me, I'd like to see the original story through to the end," which elicited thunderous applause from the audience. Tōyama-san added, "I hope they make the sequel without waiting for seven years," and Toki-san said, "I want it to be completed within seven years," revealing that all the cast members shared the same feelings about the work.
Okay, in that case, is our Italian Anon correct that Season Two will end just without even reaching Vol 9?
I’m honestly not sure what to think of it now (and that’s partly why it took me a while to write this review)…
Well, if that happens, at least, please let it end with Vol 8 Epilogue where Ōdanna-sama woke in in Ōgondõji-sama's villa and - with an empty look - he burned the newspapers that admonished him for being a jyaki?







Comments
Sono speranzosa che ci sarà un secondo cour...magari non quest'anno ma DEVONO farlo, a questo punto un'attesa di 7 anni non avrebbe avuto senso così come decidere di realizzare una seconda stagione.
Grazie mille per le informazioni. Sì, ora penso che un secondo cour o una terza stagione siano probabili. La Torre Bunmon potrebbe in realtà essere un'anteprima della prossima stagione o del prossimo capitolo. Se così fosse, la seconda stagione (o il primo cour della seconda stagione) potrebbe concludersi con un'inquadratura della Torre e di Ōdanna-sama che si risveglia. A proposito, devi avere un ottimo giapponese, visto che hai letto il volume 8. Fantastico!
Per quanto riguarda Kurogai Shogun, so che è apparso nel Vol. 9, Capitolo 6, ma poiché non ho letto il resto del Vol. 7, non so se non sia mai apparso nel Vol. 7, Capitolo 7. Potrebbe anche essere un'altra licenza artistica del regista includere Kurogai Shogun lì... forse nell'Ep. 8 la prossima settimana.
When S1 was released it wasn't talked much after 3 episodes,
I'm glad it's getting recognition
However the important details are either being cutoff/changed, If the adaption is not good (ie not having a satisfying end), i feel like this will get buried as another average Anime
I have to say Odanna-sama looking really cute and mischievous, especially with his whole in the tree sequence haha. But turns out he's just a king👏👏 Thanks Byakuya for being the MVP and backing up the future generation of a leader. We need old people like Byakuya lol.
Thanks for including the article! I do have hope they will finish this series well. Let's count on the popularity of Kakuriyo!!
Thanks again!
Yeah, the current director's second (SECOND) main project is Kakuriyo, so... I have a feeling that he'd be like "yeah, I need more in my portfolio, so I'll deal with this shojo/josei story though I've never read it before". That's why Ep 1-3 feel rushed. But then somehow he (or his team) started to get the vibe of Kakuriyo, hence they changed speed from Warp 5 to Impulse 1 (to borrow Star Trek terminology). Or, lightning speed to a stroll down the beach on a Sunday morning. But then they messed up with the story building by ditching the first half of Vol 6 altogether, and also not slowing down to properly explain the history of Kakuriyo (Ep 2).
Yeah, Ōdanna-sama's parental lineage is that of the Setsuki royalty, and he does have those royal traits in him (kudos to Konishi Katsuyuki's voice as well!), thus Byakuya can see through him. I do love Byakuya...
What do you think of the chance of Cour 2? Or will they just stop the production for a while (while trying to get some funding perhaps) and have S3 one day in a few years' time?
Re: shifting studio; I have no issue with that. I'd LOVE to have Kadokawa Studio taking over the story, for they hold the IP anyway. Akin to Marvel Comics having the IP for Spider Man, but Sony got the licence to make Spider Man movies. So, in this case, Kadokawa has the IP for the original work, but Gonzo has the licence for the anime. So it might not be that easy to shift licence from Gonzo back to Kadokawa Studio. However, if Gonzo still wants to do S3 or S2 Cour 2, please please please get the decent funding and collaborate with a studio that knows how to deal with a series such as Kakuriyo, with its traditional Japanese cultural aspects etc. That's why we need to keep make the noise, giving constructive feedback etc so that Gonzo knows how to fix their mistakes. To me, the best way forward is for Gonzo to collaborate with Kadokawa Studio, because I don't see much improvement with the collaboration with Makaria (I'm disappointed, because I love Makaria's Horimiya), while Kadokawa knows the value of Kakuriyo. The light novels alone have been best sellers that keep being reprinted. So yeah, Gonzo, please make good business decisions. I don't have a degree in business, but to me, loyalty to the product's nature and strong traits should be the base of any decision making processes, particularly in such a tight industry like anime.
That's right! Yeah but I am glad it seems they did take some sort of constructive feedback or started getting into Kakuriyo, so the pacing is better. :)
I think there is a good chance for cour 2 but it'll probably take some time :") Well, good things come to those who wait, I suppose...
The thing that makes me wonder though, Anon, is that there is no way animation improvements in Ep 4-7 (after the disastrous pumpkin croquette scene etc in Ep 3) must have been made BEFORE the episodes were aired. There is no way they improved the animations while the episodes are already airing on Crunchyroll and Tokyo Mix etc. So the logical explanation is that: someone in Gonzo is actually truly a fan of Kakuriyo, someone or some people who believe in Kakuriyo gave the feedback about animation... which led to the improvement in Ep 4 etc. However, for reasons unknown (is budget the only reason?), the horrid scenes in Ep 1-3 (particularly Ep 3) were not fixed. Also someone must have been cringing in the Gonzo office to see the episodes flying at lightning speed, hence they slowed down the speed for Ep 4 onwards?
I have no idea how decision makings are done in anime productions, but surely those revisions were made earlier this year at the latest? Can Kadokawa (as the IP owner of Kakuriyo) give suggestions during the animation process to Gonzo? Surely Gonzo would have to show their pre-aired drafts to Kadokawa, right? Or not?
Yeah, I also have no clue how the animation changed? But maybe they had like a pre-screening for the first 3 episodes and there were complains that led to the improvement in quality.
Could it also be the author who saw the animations and storyline? I'm basing this off of knowledge from Oshi no Ko's acting storyline --> also yeah don't read the manga, the ending sucked and it was getting freaking weird.
Regardless, it's a bit late to fix the pace and plotting. But hopefully after some consideration, they might do it better for cour 2, and there might be some changes of studios since the IP owner can do that? I mean it was plain insulting to Japanese viewers that they can't even draw the kimono right, awkward...
Eh what happened to Oshi no Ko? Did the original author interfere? Tell me more please!
Yeah, I think we just have to give polite constructive feedback to both Gonzo (as the studio) and Kadokawa (as the IP owner) for Cour 2. If anything, this is the time for that.
Yeah, I think the kimono bit shows that their quality checking is not very good. It's not always the illustrators' fault though. They need to be given directions and reviews etc, and it happened at some scenes, but not at some others. For instance, Ep 6 was animated by a Mexican animation studio (really, from Mexico), and I think they did an amazing job. The sakura petal frames of Byakuya and young Odanna-sama were just amazing... However, when I saw some of their sketches on X, one sketch of Aoi was not done correctly at the emon (nape) part. It means that the animation editor should have been someone with solid knowledge on classical Japanese aspects, including kimono wearing, buildings, gardens, etc. IIRC, Season 1 took care of those things much better, hence very special to me...
These things need to be included in Cour 2 (in addition to improving the character designs for Odanna-sama and Ginji, among other things), and I will write a post about it after curating the feedback from all of your comments and my own observations.
Yeah S1 really was something special to me too. I just loved how well animated and directed the storytelling was and a lot of love was placed into S1 ❤️
"and I will write a post about it after curating the feedback from all of your comments and my own observations."
Oh thank you so much!
Re: ONK, hahaha, I actually was super curious and then listened to ONE HOUR of a YouTube video that ranted about it (well, praised ONK the earlier arcs and then ranted about the ending). I now understand what you meant, and yes, I won't waste my time watching it...
But one of the reasons for my watching it because I dreaded the same thing happening with Kakuriyo. But since Kakuriyo story has ended with a very good reception (best sellers etc), the threat is really about bad animation and/or bad anime. I was very desperate when I watched Ep 7, mainly because of the unnecessary Manchurian ladies-in-waiting, but Ep 8 returned my faith to S2. Perhaps there is salvation after all... Fingers crossed I can post my review of Ep 8 tonight! I was dead tired last night...